breast implants essays

breast implants essays Breast implants, should they be made illegal or kept legal? That is the question. I personally think they should be left legal. I will tell you why, give you facts/statistics, arguments etc. about why I think that breast implants should not be illegal. The results of test and the percentages are all real. Allot of the statistics are from the worlds leading developer and manufacturer of saline and silicone filled breast implants, this is the Mcghan medical corp. In todays society, women can constantly feel the pressure of needing to look their best. Women can develop concerns over their self-image, feeling their breasts are not the right size or shape. A womens breast is fully developed by her twenties. She may have very small under developed breasts or very large breasts that cause back and neck discomfort. Other factors such as pregnancy, nursing, weight loss, age and gravity can take their toll on the appearance of womans breast adding to the concern. Cosmetic breast surgery offers many options of these concerns, with procedures that can sculpt a womans breasts to a more becoming size and shape. Breast enhancement procedures can enlarge and contour the breasts, giving a woman a shapely figure and making her more confident in her appearance. Many women experience a decrease in breast size and shape after pregnancy or with age. Sagging breasts or breast ptosis can be corrected with a breast lift and implants placement, giving firmer and younger looking breasts. Overly large breasts can be embarrassing and can also lead to skin irritation and back, neck and shoulder discomfort. Breast reduction procedures remove excess tissue, skin and fat to reshape and lift the breast. This procedure can greatly benefit women of all ages by relieving discomfort and allowing them to have a more active lifestyle. There are many options available to reconstruct the breast after mastectomy. Using implants or the...

What Makes a Marine Ecosystem

What Makes a Marine Ecosystem An ecosystem is the collection of living and non-living things in an area, and their relationship to each other. It is how animals, plants and the environment interact together and thrive. Studying ecosystems is known as ecology. A marine ecosystem is one that occurs in or near salt water and is the kind that is studied in marine biology. (Freshwater ecosystems, on the other hand, are comprised of freshwater environments such as those in rivers or lakes. Marine biologists study those types of ecosystems as well.) Because the ocean covers 71 percent of the Earth, marine ecosystems make up a large part of our planet. They vary, but all play a valuable role in the planets health, as well as the health of humans. About Marine Ecosystems Ecosystems can vary in size, but all have parts that interact with and are dependent upon each other. Upsetting one component of an ecosystem may affect other parts. If youve ever heard of the phrase ecosystem approach, it is a type of natural resource management involving making decisions regarding the whole ecosystem, rather than various parts. This philosophy realizes that everything in an ecosystem is interconnected. This is why environmentalists and marine biologists must consider entire ecosystems even though they may focus on one creature or plant in it. Everything is tied together. Protecting Marine Ecosystems Another vital reason to study ecosystems is to protect them. Humans can have significant negative impacts on our environment that can wind up destroying ecosystems and harming human health. The  HERMIONE project, a program that monitors ecosystems, notes that certain fishing practices can harm cold-water coral reefs, for example. That is a problem because the reefs support a variety of living systems including providing a home for young fish. The reefs could also be sources of potential medicines to fight cancer, which is another reason to protect them. Human impacts are ruining the reefs, which are a vital ecosystem for humans and the environment as a whole. Knowing how they function, and how to support them prior to and after components are destroyed, is imperative to assist these ecosystems. In seagrass meadows and kelp forests, for example, robust biological diversity is key to the ecosystems. In one experiment, scientists reduced the number of seaweed species. That caused the total algal biomass to decrease, which lowered the amount of food.  When scientists decreased the species that graze on microalgae that grew on seagrass, the species ate less from areas that had fewer microalgae. As a result of that, the seagrass in those areas grew slower. It affected the entire ecosystem. Experiments like this help us learn how reducing biodiversity can be extremely harmful to sensitive ecosystems. Types of Marine Ecosystems Sandy BeachesRocky ShoresSalt MarshesCoral ReefsMangrovesDeep SeaHydrothermal Vents

Organizational Structures Research Paper Example | Topics and Well Written Essays - 250 words

Organizational Structures - Research Paper Example The transnational structure on the other hand incorporates the aspects of the two structures mentioned above in order to ensure its success locally and internationally (Claver-Cortes, Pertusa-Ortega and Molina-Azorin, 2012). A Worldwide Product Structure is more decentralized and hence encourages diversification and autonomy of the products being processed by a company. This encourages growth and creativity without constant nagging and blockages from the headquarters. This is the opposite of what happens in a Worldwide Area Structure which centralizes its powers on the headquarters hence making it hard for the other branches of the product in other areas to develop autonomy or even creativity. A company that would choose the first structure is the one that is adamant on diversification and it previously had its domestic structures being based on division of products. A company choosing the worldwide area structure is the one which values centralization and has a diversification degree that is too low (Hempel, Zhang and Han, 2012). One type is the divisional structure where a company is grouped in divisions that depend on the products and the geographical area. The advantage of this type of structure is that each geographical area gets the products that it uses mostly and hence ensuring that the sales remain high and the company’s product has a competitive edge in that geographical area. The other type of complex organizational structure is the matrix structure. This is complex because of the different type of matrix that are present and which largely depend on both the employees and the products. It works well and succeeds in companies where employees work in teams to promote their products. In case there is no team work, this structure does not work well. Claver-Cortes, E., Pertusa-Ortega, E. and Molina-Azorin, J. (July, 2012). â€Å"Characteristics of

Art Deco Essay Example | Topics and Well Written Essays - 1000 words

Art Deco - Essay Example In its initial stages, it highlighted faith in technological and social progress, luxury, exuberance, and glamour. The term Art Deco became popular in 1966, in a French exhibition, in 1925. In this event, the term helped to differentiate French art works of the Belle Epoque from art works of the time. In addition, it describes a number of crafts developed in the Entre Deux Guerres period, and also developed by the Bauhaus. Nonetheless, since it started in France, there is a claim that it should be utilized to works associated with the French and those made in nations with direct influence from France. The Art Deco period has lasted from 1925 during an event to exhibit novel concepts in applied arts. Its inspiration largely came from ancient art from all over the globe. In the 1920s, inexpensive means of travel allowed direct contact to several, societies, communities, and cultures. In addition, there was a common interest in archeology because of excavations in areas, for example, th e tomb of Tutankhamun and at Pompeii, Troy. Designers and artists incorporated Machine age elements with decorations from ancient Greece, Oceanic, Egypt, Asia, Mesopotamia, Rome, and Mesoamerica. Also, Futurism, Constructivism, Modernism, Functionalism, and Cubism contributed to its development. The sculptor, the cubists and other art workers worked together to decorate a Studio House in 1927, with a number of them designing the staircase, others the fountain, others the Cubist rug, and others the fireplace mantel. Art Deco also highlights geometric forms, for example, sunburst, spheres, chevrons, polygons, zigzags, trapezoids, and rectangles motifs. There is an organization of the components in symmetrical designs. There is also utilization of modern materials, for example, plastics, aluminum, chrome, stainless steel, and Bakelite. In addition, there is also the use of lacquer and stained glass inlays. Its colors also appear to be high-contrast and vivid. Moreover, it was a popular international style that influenced a large field of design. It was also largely utilized in consumer goods, for example, clocks, automobiles, jewelry, furniture, textiles and electronic goods, for example, jukeboxes, radios, and telephones (Bayer 14). Additionally, Art Deco influenced cinema, architecture, graphic arts, interior design, fashion, and industrial design. Amusement parks, public works projects, movie palaces, and ocean liners also employed Art Deco during the 1930s. Nevertheless, the negative effects caused by World War II made Art Deco decrease in reputation. A renaissance of attention started in the 1960s. Moreover, there has been the development of a style associated with Art Deco referred to as Streamline. This style started in the beginning of 1930. Streamline got its inspiration from contemporary principles of aerodynamics to decrease air friction at soaring swiftness. Manufacturers used the elements to buildings, cars, gas pumps, trains, refrigerators, and ship s. The Chrysler Airflow of 1933 was one of the first vehicles manufactured from this

Cause and Effect Essay †The Causes of Divorce :: Expository Cause Effect Essays

Cause and Effect Essay – The Causes of Divorce From the past to present, people all over the world have determined to live together, which is called â€Å"get marriage† in another word, so that they depend on for living each other. Nevertheless, some couples are unable to maintain their relationship; therefore they choose divorce, which is one of the solutions to cope with problems between husband and wife. Furthermore, most people think carefully before they get marriage. However, the divorce rates trend to continually increase nowadays, thus it might be argued that divorces can be taken place easier than the past. There are three main causes of divorce: changing woman’s roles, stress in modern living and lack of communication, which are highlighted below. The first significant cause of recent rise in the rates of divorce is that women completely change in roles. In the past, men have to earn whole money to afford the expense of family, whereas woman only do housework, hence women have no money leading to depend on husbands’ money. Because of these situations, it is too difficult for most women to separate from their husbands. Nonetheless, these situations entirely change nowadays. The equality between men and women in roles are very clear at the moment, thus women can work outside to earn money, while men share the household tasks such as cooking, cleaning, washing as well as caring for children. It can be clearly seen that women are independent from money as they can earn money by themselves to support their living cost. Accordingly, the divorce rates recently rise. Another cause to confirm the recent increase in divorce rates is stress in modern living. Many people, who live in globalisation, have considerable pressures to earn money. It can be obviously seen that the stress has occurred since they are children. For instance, in Thailand, students generally want to go to famous school so that they take advantage to go to well-known universities. Studying in celebrated universities mostly causes having a good opportunity to find a job or earn a lot of money. This circumstance not only happens in Thailand, but also occurs in many countries. Some people are laid off from their companies; consequently the stress occurs in their family, which leads to divorce. Some families can earn money, but inadequate for covering their expenses, therefore it is easy to think about divorce. Nevertheless, the rates of unemployment trend to continually increase as a result the divorce rates can also rise.

A Brief Look at the Quality of a Translation Essay

Abstract The article is an evaluative work on a translation of Faulkner’s Sanctuary by Farhad Qebraii. To do so the standard norms are got from Blum Kulka’s article â€Å"shifts of cohesion and coherence in translation† and the level of accepted changes through the translation is considered. The translation by Qebraii is accepted as a qualified one based on the factors analyzed through the paper. Introduction Through the process of translation some changes occur within the form (Surface Structure) and the meaning components (Deep Structure) of the source text. These changes are considered to be inevitable in translation. Due to the differences in the grammatical structures and linguistic features of languages there seem a logical reason for such a phenomenon . In 1986, Shoshana Blum-Kulka in her article ‘Shifts of cohesion and coherence in translation’ went through the changes (shifts as she calls) in translation. She made a comparison between the structure of the source and that of the target language and elaborated on the logical shifts that may occur through the process of translation. Here, the aim of the evaluation is to assess the quality of the translated version of the work ‘Sanctuary’ by William Faulkner. To do so, the structural features of both English and Persian language (as SL&TL) should be investigated and based on that and the concept of Blum-Kulka’s article assess the quality of translation. According to what Blum-Kulka says in her article, the negotiation of meaning between different parts of a text is based on the assumption that subsequent turns are related to each other in Coherent ways. This is the covert relationship between the parts, but there is another unity, visible in the surface structure of the text, which is called Cohesion. These two elements change through the translation process to naturalize the target text. But sometimes the high level of changes brings about some mismatches between TT and ST which lower the quality of translation. The overall purpose of this paper would be detecting these aspects from BlumKulka’s view point. Whether the translation is qualified or not is somehow a subjective matter just because of the unique elements belonging to translation. From the very beginning, there have been conflicts among those who regard translation as a work of art and those with scientific approaches. There have been too many translations with high level of acceptability and, when checked, no signs of newly arrived norms for translation. These all indicate that in this field there seem not to exist a categorical law and what is taken as a qualified translation in artistic viewpoint may lack the quality of a good work in scientific scope. Methodology To evaluate the quality, there would be one by one comparison between the meaningful units of both ST and TT of the work. These all would be done with regard to linguistic features of both English and Persian. To do so, in discussion section of the paper there would be a brief explanation about the linguistic features ( specially grammatical points) of both languages to clarify some necessary points. To a further study and in a more precise way there would be several exemplifications and for each enough supporting ideas based on Blum-Kulka’s article. Finally, the conducted work would lead to an eventual conclusion to show the quality of the work based on the factors mentioned within the paper. Discussion Over a long period of time there have been too many discussions on the notion of translation. Whether it is an art or a science, or maybe a mixture of both has been the fundamental issue of majority of the cases. If the literature is reviewed, there seem to be no clear criterion to clarify the notion of translation. Here, I want to offer my own understanding of the matter. To the best of my knowledge due to the fact that when translating we deal with several subjects such as culture, history, scientific issues, linguistic features of languages, and semantic structures of both ST and TT, the translator should have general knowledge of both source and target language. This means that for sure translation is partly a science because the translator is supposed to have a complete knowledge of both languages. But there is a significant point here which deals with artistic aspect of the matter. Imagine there is a peace of poem or other sort of literary text which is to be translated. Here the translator is expected to consider both semantic and syntactic structures of the source text along with the unwritten sense and emotions of the poem which are to be instilled by the other elements in the structure of the work. If the translator loses the artistic sense of the work through the process of translation the final work would be regarded as an ordinary and not highly qualified work because no special attention has been paid to the extra linguistic features of the work. So to evaluate the translated work of a text some fundamental cornerstones should be regarded. First the translator must determine the text. By this he can choose the correct translation method regarding the text structural features. Then and with respect to the method the translator starts the work. Now the final work must observe some necessary cornerstones of a qualified translation if the steps and the notions are regarded. In this article the main purpose is to look at the translating elements of the work Sanctuary by William Faulkner with respect to Blum Kulka’s article and assess the quality of the translation. To do so first there is a brief look at the structural traits of both Persian and English as two ends of the work and then find some examples from the texts to clarify the notion. At the next step the level of the correctness is evaluated based on Blum Kulka’s article about cohesion and coherence. Finally the work is evaluated according to the factors mentioned through the paper. In English it is usual to find wide variety of complex sentences with highly descriptive adjectives within different sorts of texts, and specially novels. This is while in Persian due to grammatical structure of the sentences there seem not to be such a case and, except for some high literary texts, in majority of the cases there occur more clearly written sentences in a simple form. This significant difference brings about some mismatches through the process of translation. More often than not Persian translators try to break the complex structures of the long English sentences into more concise and highly clear sentences in their translation. In the work Sanctuary William Faulkner does not use complex sentences and transfers the intentioned sense by some crystal clear sentences but when checked we can get that Qebraii, the translator, has professionally transferred the original sense by making the most approximate sentence structures which are really like the source ones. Some examples are made here: 1. His face had a queer, bloodless color, as though seen by electric light; against the sunny silence, in his slanted straw hat and his slightly akimbo arms, he had that vicious depthless quality of stamped tin. ? . ? . In this part of the translation we can clearly find out that the translator has tried his best not to miss the original surface structure of the sentence by following the form of the English version in Persian structure. He has done this in a very precise and accurate way and there seem to be only a nuance of difference in the translation version of the work. But it seems that Mr Qebraii has devoted the sense for the surface structure of the work where he misses some pieces of messages in his translations. Look at the part â€Å"His face had a queer, bloodless color†¦Ã¢â‚¬  here the translator keeps the original structure remained in the translation but the sense is not transferred thoroughly. Bloodless is translated as â€Å"? † which seems not to be an accurate equivalence. It was better to use more artistic phrase instead of this emotionless correspondence. Here Mr Qebraii has paid too much attention to the structure rather than the message and the sense. Or â€Å"sunny silence â€Å" is rendered as â€Å"? † the same story happens here. 2. The other man’s coat was still across his ar. He lifted his other hand toward the coat, out of one pocket of which protruded a crushed felt hat, from the other a book. ? . . ? The grammatical structure of the source text is remained untouched through the process of translation. We have the most approximate structure in the translated version along with clear understanding of the sentence in which there is the same message as the original. This indicates that the translator has been successful in transferring both the structure and the sense of the source text. At the last part of the sentence we see the phrase â€Å"a book† which appropriately is transferred into Persian with the exact surface structure and sense and also the form of the sentence is kept untouched. In above mentioned examples we can draw the conclusion that with regard to the structural differences between Persian and English and the form of the sentences in these two languages the translator has been so successful in keeping the form of the sentences identical in both versions, the original and the Persian translation of the work. Now we refer to Blum Kulka’s article. According to what she suggests in her article, in a text there are two significant notions; cohesion and coherence by name. Cohesion is an overt relationship holding between parts of the text, expressed by language specific markers. Coherence, on the other hand, means a covert potential meaning relationship among parts of a text, made overt by listener or reader through the process of interpretation. On the both levels there exist differences between the languages. When a text is translated from one language into another the level of text coherence or cohesion is changed based on the structural features of the target language. These changes are considered to be logical to some extent. But if the level of shifts are too much the translation would be classified as an under  standard translation and the quality would be in a low level. Through the following part the shift in Cohesion and the Coherence of the texts will be detected. Coherence: As pointed out by Hallyday and Hasan (1976) cohesion ties do much more than provide continuity and thus create the semantic unity of the text. Particularly in literature, the choice of cohesive markers can serve several functions in the text. Accordingly the translator is supposed to observe the accepted level of shifts through his translation which is due to language differences. To some extent the shifts in cohesion is acceptable but if the changes are too much the translation would be of low quality. In this point of the paper we want to take a look at the coherence of the sentences of the work Sanctuary and that of its translation â€Å"? † by Farhad Qebraii. As mentioned earlier, coherence is not a clear notion and does not have a visible marker in the text. Any audience or reader will get the semantic relationship between the text components through some sorts of interpretations. We all know that any component in the text has a relationship with the other components and they all get together to transfer a unified message. Now if the subcategorized elements in the texts are changed due to translation process there may emerge a mismatch between the source and the target text. These changes may occur due to cultural, historic, or lingual differences in languages. In sanctuary there seem to be no cultural factors which cannot be translated into Persian and Qebraii has transferred somehow the all message completely into Persian. So we can say that this translation is highly qualified from the coherence point of view. Cohesion: On the level of cohesion, shifts will occur through the translation in a way that the translation seems to be more explicit than the original work and this is common in almost all the cases. But for a translation to be of high level of quality the translator should try his best to keep the unwritten messages and covert factors untouched and do not use too much terminology to express the meaning explicitly. In the work Sanctuary the author has made concise sentences to bring about succinctness and beauty in his text. We see that the translator has kept this factor remained in the target text. As an example, Qebraii has translated the part â€Å"The other man stopped his hand. †it’s a book† to â€Å"?. ) . ( Here we see that Qebraii has not made the translation more explicit rather he has shorten the length of the Persian sentence with regard to the message not be lost through the translation process. Of course in the above example there is a shift in the form of the sentence from active to passive which has exacerbate the quality of the translation because the meaning is not transferred appropriately. But altogether the sentences are formed in a way that they are similar to the original one. The crux of the matter is that no one can certainly put the label of good or bad translation to any work and it goes without saying that evaluation of translations is a subjective act. But based on the detections it seems that most of the translation criteria are observed in this case and farhad Qebraii has kept the structure and the message along with each other almost through the whole part of the work. Thus his work is ranked among the highly qualified translations even if there are some translation mismatches in his translation. Implications and Applications The crux of the matter is that, no progression is made when no evaluative research is conducted. Any developed phenomenon has its progressive background through which there has occurred variety of investigations. When checked and have a spectrum of works under control through the time, the deficiencies will be singled out and reformed. No one can claim that his work has been in its recent high position from the very beginning. Hence, there is a none written role of thumb necessitating us to discuss any work and come up with constructive comments on it . To cover what is said the translation of the ‘Sanctuary’ will be worked on and any weak and strong point will be mentioned through the main paper. It is hoped that such an assessment would influence the translators and make them try their best to create highly acceptable works and we see a developmental process in this field. References Khazaeefar, A. (1388). A textbook of literary Translation. Tehran: Samt Publication Newmark, P. (1988). A Textbook of Translation. Prentice Hall Blum-Kulka, Sh. Shifts of Cohesion and Coherence in Translation.

Anthropology Cultural And Social Formation Of Gender And...

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